2 posts categorized "Favorite Drummers"

September 12, 2011

BeatTips MusicStudy: The Police - "Walking on the Moon"

Group Offers Great Example of Style and Sound Fusion


Before Sting became a one-man mega star (in the 80s), he was the front-man and bassist for the group, The Police. The Police where an English outfit who specialized in an uptempo rock-reggae that mostly side-stepped the British ska sound of their time. Originally a punk inspired band, The Police moved towards the new wave sound, before settling on a minimalist rock-reggae hybrid that was decidedly pop (the good kind).

The collective musicianship of The Police was great, but most of my attention went to drummer Stewart Copeland. Copeland's default drum style was rooted in the reggae style, a rhythmic style characterized by accents on the off-beat. Specifically, Copeland road the "steppers" beat sub-style (itself a variation of "four on the floor"), but he was also clearly influenced by other worldly sounds and rhythms. This was perhaps one of the main reasons that he drummed on an expanded kit. I remember the first time I saw his set in a video, I couldn't believe how many mini-toms and percussion pieces it contained.

Guitarist Andy Summers was a seasoned and accomplished sessions player before he joined The Police. In fact, before he got with The Police (replacing The Police's original guitarist, Henry Padovani), he nearly became a member of The Rolling Stones. Summers play was less prominent than Stewart's drumming, but it didn't need to be. Instead, it was relaxed but insistent and never overbearing, perfectly equal to the sum-task of The Police's rhythms and sonic designs.

Sting, a former school teacher who was dedicated to the blues-rock tunes that he'd heard in clubs as a high schooler, began as a guitarist, before eventually switching over to bass. Like Summmers, Sting's bass play didn't do anything more or less than it needed to do. Compared to similar bassists, I found Sting's playing to be subtle and plush, never overworked or harsh.

The Police ran a table of successful albums between 1978 and 1983. In 1984, the trio unofficially split up. However, the "unofficial" tag was removed a year later, when Sting released his first notable solo effort, The Dream of the Blue Turtles. Shortly thereafter, Sting's solo career went somewhat viral. Sting was a great solo artist, but I've always found his work with The Police to be edgier, much more engaging, and more raw.

Side note:
Imagine what would have happened to The Police if MTV was around in 1979... I wonder how their music would have changed. Would it have changed for the better or worse? Would Sting have left for a solo career? Would he have left even sooner?

Below, I've included an example of The Police in their prime. When listening to the song, pay careful attention to the drumming decisions Stewart Copeland made; pay close attention to the repetition of the guitar framework; and, finally, pay attention to how the bass is used almost as a support for the rhythm of the drum framework. I can not stress enough how much The Police—and the song "Roxanne," in particular—helped me with my overall understanding of music creation.

The music and video below is presented here for the purpose of scholarship

The Police - "Walking on the Moon"

The BeatTips Manual by Sa'id.
"The most trusted source for information on beatmaking and hip hop/rap music education."

March 29, 2010

Hasan Insane's Beatwork for AC's "Rae Told Me" Redelivers

Insane Rework of Classic Sample Source

By Amir Said (Sa'id)

Over the pass several years, beatmaker Hasan Insane has built up a catalog of impressive remixes. But AC's "Rae Told Me" is no remix; at least not in the traditional meaning of the word. Using the very same source material that RZA used for the Wu-Tang Clan classic, "C.R.E.A.M.," for the primary sample that drives the beat of "Rae Told Me," Hasan Insane crafts an original joint that's bold enough to compete with Wu banger from nearly two decades ago. Indeed, coupled with rhyme presence of AC, I find "Rae Told Me" to be a solid joint, for a number of reasons.

(1) The homage factor. Less we forget, hip hop/rap and beatmaking is a competitive sport, so props to Hansan Insane for catching the same source material for C.R.E.A.M., and making it move in a whole new way, but still in homage to the mighty Wu classic. And AC is ever conscious and respectful of the Wu's first touch on the source material.

(2) The gritty, sly-metaphor, dead-pan New York rhymes. Excellent street material. Impact caliber; for real, I felt this...

(3) The drumwork. Hansan Insane always impresses me with his drumwork; my man NEVER allows his drums to get in the way of the whole composite of the song. The drumwork on this joint makes the sample move, ebb, and swing in an entirely new context from C.R.E.A.M.

(4) Hypothetical impact. What If I never heard C.R.E.A.M. before, how would I rate this beat? Answer: stone motherfuckin' cold!

*Shout out to fellow TBC member, dk, for putting me on to this new joint.

For educational purposes...

AC - "Rae Told Me;" beat by Hasan Insane

The BeatTips Manual by Sa'id.
"The most trusted source for information on beatmaking and hip hop/rap music education."

Dedicated to exploring the art of beatmaking in all of its glory.

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