2 posts categorized "Mental Memoir"

August 14, 2010

Bob James Says Sampling, In Some Cases, Is The Best Of All Possible Worlds

Famed Jazz Fusion Artist And Sampling Mainstay, Discusses His Views On The Art Of Sampling In Hip Hop/Rap Music

By Amir Said (Sa'id)

I've been diggin' thru and for records since I was a little kid. My parents, like most (if not all) other black urban dwellers of the late 1970s and early 1980s, had a quality vinyl record collection. And since my mother was an avid Motown fan and my father a strong Stax supporter, their collection—together—was massive. Indeed, when I became conscious of "diggin' in the crates," I went about packing their collection into separate milk crates. Total count of milk crates from that weekend? 15.

Even though I had thought that I was a kind of a serious digger, I really wasn't. But when I turned 19, and started actually listening to ALL of the records in my parents collection, I realized that I had a hunger for more. And thus, began my first real trips to used vinyl stores, Salvation Army stores, Goodwill stores, garage sells, and vinyl record conventions. And early on, there was one record that I felt I had to have: Bob James' One.

Bob James's music has been sampled by a bevy of beatmakers, and one song in particular, "Nautilus," has received a number of dope transformations. So for me, any interview with Bob James—a musician I truly admire—is well worth watching. But a Bob James interview in which he (1) reconciles his views on the art of sampling in hip hop/rap; (2) discusses sampling in a creative context; and (3) sheds light on how he structured his record contracts, after his departure from the CTI label? Aw, man, that's absolutely priceless!

For educational purposes...

Bob James Interview (via Mixery Raw Deluxe)

For educational purposes...

Bob James - "Nautilus" (from the album One, (1974)

April 04, 2010

Staying Power of a Recording Artist

Longevity is a Timeless Matter

By Amir Said (Sa'id)

"The staying power of a recording artist is not in their ability to merely create something new, but in their power to summon classic nuances." —Amir Said

The BeatTips Manual by Sa'id.
"The most trusted source for information on beatmaking and hip hop/rap music education."

Dedicated to exploring the art of beatmaking in all of its glory.

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  • Top 5 Myths About Sampling and Copyright Law

    "Sampling is piracy."
    WRONG! Piracy describes the wholesale, verbatim copying and distribution of copyrighted works. That is not sampling; that's something entirely different.
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    "You can legally sample and use any recording up to 1, 2, 3, or 4 seconds."
    WRONG! Under existing copyright law, there is no clear, predetermined length (amount in seconds) that is “legally” permissible to sample.
    Read more

    "If you use samples on a free mixtape, it’s perfectly O.K."
    WRONG! A free mixtape does NOT permit you to use samples from copyrighted recordings without the permission of the copyright holders.
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    "Sampling is easy; there’s nothing to it. Anyone can do it well."
    WRONG! Sampling is an art form that requires technical skill, imagination, and artistic understanding.
    Read more

    "Sampling involves the use of pre-recorded songs only."
    WRONG! While the art of sampling is most commonly understood to include the use of pre-recorded songs (traditionally from vinyl records), source material for sampling includes any recorded sound or sound that can be recorded.
    Read more

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